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Two women spend a weekend together at the North Sea. Walks on the beach, fish buns at a snack stand, mobile weather forecasts. Sky, horizon, water. One of them will soon return to her family in Argentina while the other one will try to come a step closer to the ocean. She travels to the Caribbean and the foreign makes her vulnerable. Then, the land is out of sight. On a sailing vessel she crosses the Atlantic Ocean. One wave follows the other, they never resemble. Thoughts go astray, time leaves the beaten track and the swell lulls to deep sleep. The sea takes over the narration. And when the other one reappears in it, the wind is still in her hair while the ground beneath her feet is solid. She returns and the one of them could ask Have you changed
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其實看到最後都以為是部紀錄片。幾十分鐘的大海鏡頭真的大大滿足了我對海的渴求，沒錯就是為了看海才看的所以也沒失望。無盡的蓝色浪與隨船和浪搖晃，人物場景少，對話更少，但少有的對話的方式非常舒服。最後一個鏡頭推上去定得很妙啦。然後女導演好帥，被迷住啦。JIFF0508CGV5
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8.4 calming, sensual and transcendental. 就像海一样，越放掉观众自己及其各种预期则能更加投入享受的电影（因而是一部适合二刷的作品，因为可以放掉包袱）。仅有的台词有许多对应和预示的功能，而坚定地拒绝了很多传统的叙事姿态。一场内心之旅，或拒绝被仅仅理解为内心之旅，延伸至更超验的，让自然本身具备超验性，甚至发掘其如神话、外星般的抽象异世界色彩。对物理肌理及其运动特...
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《波长》长片版，像是阿克曼与哈佛感官人类学实验室的结合产物。
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#Venice2017# 影评人周。纯粹是个实验电影或者说“慢电影/slow cinema”，对海浪不同天气不同光线下状态的研究（很像阿巴斯的[五]和[24格]），以及与之匹配的各种流动的元素的排列组合研究。声音制作十分讲究。最后一个长镜头致敬迈克尔·斯诺的实验电影名作[波长Wavelength]。
